- “Circles” by Andrea (North Macedonia)
- “Jezebel” by The Rasmus (Finland)
- “Stefania” by Kalush Orchestra (Ukraine)
- “Halo” by LUM!X ft. Pia Maria (Austria)
- “In Corpore Sano” by Konstrakta (Serbia)
Circles – Andrea
Andrea has one of those vocal timbres that’s addicting to listen to. Her voice seems to be the focal point of this song. There’s something about “Circles” that feels short. There are sections like the bridge and the final chorus that feel like they were supposed to be longer. I mean, I get that the song can only be three minutes long, but even other songs manage to sound complete. Also, this song reuses lyrics, which makes it sound like she’s not saying much. I’m a little disappointed that the second verse is just the first verse cut in half. Overall, I didn’t care much for this song.
Jezebel – The Rasmus
The first thing that comes to mind about this song is the nostalgia. I’ve heard that The Rasmus has been around for a while, which explains why “Jezebel” reminds me of the music I grew up listening to. He even has the vocal timbre of many lead singers of bands I’ve heard before. I’ll be honest, I furrowed my eyebrows at “A girl who looks like she’s a boy.” Now, I’m a little lost when it comes to Biblical references, but something about that (and some of the other lyrics) doesn’t sound quite right. I’m curious about how far they’ll get in the competition.
Stefania – Kalush Orchestra
This song brings me back to 2020 when Go_A was going to represent Ukraine with “Solovey” for the contest. I was totally not expecting the rap (but he was wearing a bucket hat, so I should’ve figured). Ihor Didenchuk, that guy with the flute, is gonna go down as one of the most iconic guys in the history of Eurovision. Also, how is he dancing while playing? I love how the first rap verse is more lyric-driven, while the second rap verse is more sound-driven. Considering I don’t speak the language, I find it impressive that such a distinction can be made. I’m totally rooting for Kalush Orchestra and I’m sure I’m not alone.
Halo – LUM!X ft. Pia Maria
I think this is the first Eurovision entry that has made me want to party (if you don’t count Moldova’s entry). I think the chorus of “Halo” is probably the strongest section of the song lyric-wise. Since the lyrics immediately rhyme one after another, it lacks a bit of momentum. Of course, the music itself is probably the highlight of the song over the lyrics. While it’s a pretty standard synth pop song, it sure will get the crowd going, especially that stomping and clapping section.
In Corpore Sano – Konstrakta
I always feel bad when songs have a profound meaning, but I don’t like it that much. Sometimes I think if I don’t like it, then I’m proving the point of the song or undermining its message. While I respect Konstrakta for making “In Corpore Sano,” I can’t say that I would go back to listening to it. This entry is not particularly offensive to listen to. It’s certainly hypnotic. Ultimately it comes down to my personal preference since plenty of people have enjoyed the song regardless of its message.
Who has my vote (for now)?
Ukraine have done it again! Not only is Kalush Orchestra the fan favourite to win, it’s a wonderfully unique song that’s well executed. I expect the crowd to all get down to the flute solo. I’m excited to see what other competition there is since I’m only halfway through the entries. Well, I guess I better get on with reviewing them!